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BYU Studies Quarterly — 43:3
Articles
A Chronology of Mozart and His Times
Hans-Wilhelm Kelling
– pg.9
Preface
– pg.8
Back Cover Image
Set Design for the Final Scene in The Magic Flute
Michael Lyon
– pg.270
Character Item
Sarastro’s Repentance: One Dramaturg’s Advice on The Magic Flute
Michael Evenden
– pg.162
Monostatos, the Moor
David P. Crandall
– pg.170
The Queen of the Night: A Mother Betrayed
Victoria A. Webb
– pg.180
Die Zauberflöte: What’s in a Title?
Harrison Powley
– pg.189
Introductory Essay
Mormons, Opera, and Mozart
Gideon O. Burton
– pg.23
A Magic Summer with The Magic Flute
Kaye T. Hanson
– pg.30
A Performer’s Reflections on Die Zauberflöte
Lawrence P. Vincent
– pg.36
Reception
Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe’s Sequel to The Magic Flute
Robert B. McFarland
– pg.206
An Allegory of Eden: Marc Chagall’s Magic Flute Poster
Philipp B. Malzl
– pg.218
Adaptation, Enactment, and Ingmar Bergman’s Magic Flute
Dean Duncan
– pg.229
Diese Aufnahme ist bezaubernd schön: Deutsche Grammophon’s 1964 Recording of The Magic Flute
Aaron Dalton
– pg.251
Themes Item
Toward an Anthropology of Apotheosis in Mozart’s Magic Flute: A Demonstration of the Artistic Universality and Vitality of Certain “Peculiar” Latter-day Saint Doctrines
Alan F. Keele
– pg.43
From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progression
John B. Fowles
– pg.84
Initiates of Isis Now, Come, Enter into the Temple!: Masonic and Enlightenment Thought in The Magic Flute
Paul E. Kerry
– pg.104
European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute
Kerry Muhlestein
– pg.137
Notes on the Egyptian Motifs in Mozart’s Magic Flute
John Gee
– pg.149
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