A Performer’s Reflections on Die Zauberflöte

Singing the heroic tenor roles in Mozart’s Don Giovanni, Entführung aus dem Serail, Cosi fan Tutte, and Die Zauberflöte has been a richly rewarding and an extremely challenging experience for me. Few composers require such a masterful vocal technique, and even fewer understand the delicate marriage of vocal line to orchestral accompaniment. Using only those instruments that are absolutely necessary, Mozart weaves a frustratingly transparent orchestral fabric. With every phrase and nuance, he exposes the strengths and weaknesses of the human voice.

Published in BYU Studies Quarterly 43:3
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