BYU Studies – 43:3
BYU Studies – 43:3
- Preface Paul E. Kerry
– pg.3
- A Chronology of Mozart and His Times Hans-Wilhelm Kelling
– pg.9
- Mormons, Opera, and Mozart Gideon O. Burton
– pg.23
Introduction
- Toward an Anthropology of Apotheosis in Mozart’sMagic Flute: A Demonstration of the Artistic Universality and Vitality of Certain “Peculiar” Latter-day Saint Doctrines Alan F. Keele
– pg.43
- From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progression John B. Fowles
– pg.84
- “Initiates of Isis Now, Come, Enter into the Temple!”: Masonic and Enlightenment Thought in The Magic Flute Paul E. Kerry
– pg.104
- European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute Kerry Muhlestein
– pg.137
- Notes on the Egyptian Motifs in Mozart’s Magic Flute John Gee
– pg.149
- Sarastro’s Repentance: One Dramaturg’s Advice on The Magic Flute Michael Evenden
– pg.162
- Monostatos, the Moor David P. Crandall
– pg.170
- The Queen of the Night: A Mother Betrayed Victoria A. Webb
– pg.180
- Die Zauberflöte: What’s in a Title? Harrison Powley
– pg.189
- Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe’s Sequel to The Magic Flute Robert B. McFarland
– pg.206
- An Allegory of Eden: Marc Chagall’s Magic Flute Poster Philipp B. Malzl
– pg.218
- Adaptation, Enactment, and Ingmar Bergman’s Magic Flute Dean Duncan
– pg.229
- Diese Aufnahme ist bezaubernd schön: Deutsche Grammophon’s 1964 Recording of The Magic Flute Aaron Dalton
– pg.251
Articles
- Set Design for the Final Scene in The Magic Flute Michael Lyon
– pg.270
