Alessandro Scafi, who lectures at universities and museums in Bologna, Italy, and in London, England, draws upon his 1999 doctoral dissertation at the University of London for much of the content of this volume. In this thoroughly researched and beautifully illustrated book, Professor Scafi explores the cultural history of maps that attempt to represent the Garden of Eden as a location in space and time. He retraces the history of mapmaking from the very early Christian era through the modern period, with particular emphasis on medieval and early modern examples. Moreover, he clearly demonstrates how cultural attitudes about the function of maps have changed over time.
Most of the maps examined here made no attempts to display mathematically accurate relationships between landmarks and must be regarded as concept charts rather than as cartographic models of an objective geographic reality. This allowed early mapmakers to represent the known world as linked entities appearing in both space and time but also in a purely contemplative or allegorical arena. For instance, the mappa mundi displayed continents and bodies of water relative to each other and the four cardinal points (with east usually at the top). At the same time, the history of the world as it proceeded from Eden in the East toward Jerusalem, then to Rome in the West, was overlaid on the same map. In some cases, superposing the map onto the body of the crucified Christ allowed yet another layer of meaning for eschatological interpretations.