1. A. K. Coomaraswamy, Hinduism and Buddhism (New York, n.d.), p. 54.

2. Rollo May, Love and Will (New York, 1969), p. 106.

3. Daniel Schlumberger, “Descendants non-Méditerranéens de l’art Grec,” Syria 37 (1960): 131–66, 253–318.

4. Samuel Beal, Chinese Accounts of India, translated from the Chinese of Hsuen Tsiang, 3rd ed. (Calcutta, 1963), p. 114.

5. “I would suggest, for example, consulting plates in Sherman E. Lee, A History of Far Eastern Art (New York, 1964); Robert T. Paine and Alexander C. Soper, The Art and Architecture of Japan (Baltimore, 1955, 1960); Laurence Sickman and Alexander C. Soper, The Art and Architecture of China (Baltimore, 1956, 1960); Oswald Sirén, Chinese Sculpture, 4 vols. (London, 1925): Michael Sullivan, An Introduction to Chinese Art (London, 1961); William Watson, Sculpture of Japan, from the fifth to the fifteenth century (London, 1959); Wilbur Willets, Foundations of Chinese Art (London, 1965).

6. Quoted by Arthur F. Wright (from Waley, Yüan Mei), Buddhism in Chinese History (Stanford, London, 1959), p. 95.

Richard Edwards

BYU Studies Publications