I.

Mute by the count of sunsets on its heat-glossed surface,
it speaks a language
with no sound, no voice—
only silence: words
carved in stone and frozen there
like fossils baked in the heat
of centuries flaring, cooling
in the slow and scraping rape
of sun and moon.

Peasants work around it,
their backs intent
on the work ahead,
on the bread that is made
by the sweat in their eyes
and the wheat that will grow
young and green in today’s sun.

The only history here
is in tomorrow’s prayer for rain.

II.

Once, there lived a queen
who did the unspeakable:
she was never said again—
became unspoken, unwritten.

Vanished.

It remains her sentence in history.
And generations after,
though their blood
runs more solid
than her vanished memory,
still hold allegiance to whatever standard rises
to feed them
in their own dark fields,

academes, perhaps, in the wrong schools.

III.

So skeletons
have passed to dust
without the cry of clay.

Soundless words
are empty—
there are no names
without date,
without history.

IV.

Years ago, man sent to space
      a capsule.
Etched on it were some shapes:
      one man
      one woman
      nine planets and a sun
      and some writings

with no sound,
no voice—
no interpretation
nor existence that is immanent.

What would be left?
What voices, written
in stone, gold, or parchment?

V.

Iraqis plow the land
around the steles,
capsules of days too foreign to speak.

Dirty children play
who cannot read their own speech,
who ring with running feet
the tongues of their ancestors,

and each are grounded
by their silence.

Around the children,
the wheat grows
they celebrate it,
the oxen plow
they take care for their path,
the flies buzz
and water is scarce
and over their heads
fly the birds of many nations,

in steel mostly,
and speaking of wars
that are foreign,

that vanish
their dwellings
to unbeing—

razing the words
and the lives
that made them.

How many times has the world
passed away?

VI.

In the fields,
alone in the passage of wind
and the sway of wheat
and the dust of two thousand
eight hundred years
and children, ever children,
the stele of Sumer stands.

Perhaps to be unwritten
is to be told more truly.
When it was first done
it was done
with living hands.

What is unwritten
speaks the warning.

Virginia E. Baker

BYU Studies Publications