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BYU Studies - 43:3

Introduction

Articles

Toward an Anthropology of Apotheosis in Mozart’s Magic Flute: A Demonstration of the Artistic Universality and Vitality of Certain “Peculiar” Latter-day Saint Doctrines
Alan F. Keele
Page 43
From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progression
John B. Fowles
Page 84
“Initiates of Isis Now, Come, Enter into the Temple!”: Masonic and Enlightenment Thought in The Magic Flute
Paul E. Kerry
Page 104
European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute
Kerry Muhlestein
Page 137
Notes on the Egyptian Motifs in Mozart’s Magic Flute
John Gee
Page 149
Sarastro’s Repentance: One Dramaturg’s Advice on The Magic Flute
Michael Evenden
Page 162
Monostatos, the Moor
David P. Crandall
Page 170
The Queen of the Night: A Mother Betrayed
Victoria A. Webb
Page 180
Die Zauberflöte: What’s in a Title?
Harrison Powley
Page 189
Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe’s Sequel to The Magic Flute
Robert B. McFarland
Page 206
An Allegory of Eden: Marc Chagall’s Magic Flute Poster
Philipp B. Malzl
Page 218
Adaptation, Enactment, and Ingmar Bergman’s Magic Flute
Dean Duncan
Page 229
Diese Aufnahme ist bezaubernd schön: Deutsche Grammophon’s 1964 Recording of The Magic Flute
Aaron Dalton
Page 251

Essays

Cover Image

journal cover