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BYU Studies - 43:3
Introduction
Preface [43:3]
Paul E. Kerry
Page 3
A Chronology of Mozart and His Times
Hans-Wilhelm Kelling
Page 9
Mormons, Opera, and Mozart
Gideon O. Burton
Page 23
Articles
Toward an Anthropology of Apotheosis in Mozart’s
Magic Flute
:
A Demonstration of the Artistic Universality and Vitality of Certain “Peculiar” Latter-day Saint Doctrines
Alan F. Keele
Page 43
From Arcadia to Elysium in
The Magic Flute
and Weimar Classicism
:
The Plan of Salvation and Eighteenth-Century Views of Moral Progression
John B. Fowles
Page 84
“Initiates of Isis Now, Come, Enter into the Temple!”
:
Masonic and Enlightenment Thought in
The Magic Flute
Paul E. Kerry
Page 104
European Views of Egyptian Magic and Mystery
:
A Cultural Context for
The Magic Flute
Kerry Muhlestein
Page 137
Notes on the Egyptian Motifs in Mozart’s
Magic Flute
John Gee
Page 149
Sarastro’s Repentance
:
One Dramaturg’s Advice on
The Magic Flute
Michael Evenden
Page 162
Monostatos, the Moor
David P. Crandall
Page 170
The Queen of the Night
:
A Mother Betrayed
Victoria A. Webb
Page 180
Die Zauberflöte
:
What’s in a Title?
Harrison Powley
Page 189
Mann und Weib,
and Baby Makes Two
:
Gender and Family in Johann Wolfgang von Goethe’s Sequel to
The Magic Flute
Robert B. McFarland
Page 206
An Allegory of Eden
:
Marc Chagall’s
Magic Flute
Poster
Philipp B. Malzl
Page 218
Adaptation, Enactment, and Ingmar Bergman’s
Magic Flute
Dean Duncan
Page 229
Diese Aufnahme ist bezaubernd schön
:
Deutsche Grammophon’s 1964 Recording of
The Magic Flute
Aaron Dalton
Page 251
Essays
A Magic Summer with
The Magic Flute
Kaye T. Hanson
Page 30
A Performer’s Reflections on
Die Zauberflöte
Lawrence P. Vincent
Page 36
Cover Image
Set Design for the Final Scene in
The Magic Flute
Michael Lyon
Page 270
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