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BYU Studies - 46:2

Articles

Establishing Shot: The Scope of Mormon Cinema
Gideon O. Burton
Page 4
A History of Mormon Cinema
Randy Astle and Gideon O. Burton
Page 12
The First Wave: The Clawson Brothers and the New Frontier (1905–1929)
Randy Astle and Gideon O. Burton
Page 22
The Second Wave: Home Cinema (1929–1953)
Randy Astle and Gideon O. Burton
Page 44
The Third Wave: Judge Whitaker and the Classical Era (1953–1974)
Randy Astle and Gideon O. Burton
Page 76
The Fourth Wave: The Mass Media Era (1974–2000)
Randy Astle and Gideon O. Burton
Page 96
The Fifth Wave: Cultural and Commercial Viability (2000–Present)
Randy Astle and Gideon O. Burton
Page 126
The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula
James V. D'Arc
Page 164
There Is Room for Both: Mormon Cinema and the Paradoxes of Mormon Culture
Terryl L. Givens
Page 188
Finding an Audience, Paying the Bills: Competing Business Models in Mormon Cinema
Eric Samuelsen
Page 209
Seeking after the Good in Art, Drama, Film, and Literature
Travis T. Anderson
Page 231
Active Spectatorship: Spiritual Dimensions of Film
Sharon Swenson
Page 247
Toward a Mormon Cinematic Aesthetic: Film Styles in Legacy
Thomas J. Lefler and Gideon O. Burton
Page 274

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